Please use this identifier to cite or link to this item:
http://arks.princeton.edu/ark:/88435/dsp01xs55mc05g
Full metadata record
DC Field | Value | Language |
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dc.contributor.author | Krueger, Alan B. | en_US |
dc.contributor.author | Connolly, Marie | en_US |
dc.date.accessioned | 2011-10-26T01:30:33Z | - |
dc.date.available | 2011-10-26T01:30:33Z | - |
dc.date.issued | 2005-04-01T00:00:00Z | en_US |
dc.identifier.uri | http://arks.princeton.edu/ark:/88435/dsp01xs55mc05g | - |
dc.description.abstract | This paper considers economic issues and trends in the rock and roll industry, broadly defined. The analysis focuses on concert revenues, the main source of performers’ income. Issues considered include: price measurement; concert price acceleration in the 1990s; the increased concentration of revenue among performers; reasons for the secondary ticket market; methods for ranking performers; copyright protection; and technological change. | en_US |
dc.relation.ispartofseries | Working Papers (Princeton University. Industrial Relations Section) ; 499 | en_US |
dc.subject | Rockonomics | en_US |
dc.subject | concerts | en_US |
dc.subject | superstars | en_US |
dc.title | Rockonomics: The Economics of Popular Music, | en_US |
dc.type | Working Paper | en_US |
pu.projectgrantnumber | 360-2050 | en_US |
Appears in Collections: | IRS Working Papers |
Files in This Item:
File | Description | Size | Format | |
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499.pdf | 630.41 kB | Adobe PDF | View/Download |
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