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Please use this identifier to cite or link to this item: http://arks.princeton.edu/ark:/88435/dsp01xs55mc05g
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dc.contributor.authorKrueger, Alan B.en_US
dc.contributor.authorConnolly, Marieen_US
dc.date.accessioned2011-10-26T01:30:33Z-
dc.date.available2011-10-26T01:30:33Z-
dc.date.issued2005-04-01T00:00:00Zen_US
dc.identifier.urihttp://arks.princeton.edu/ark:/88435/dsp01xs55mc05g-
dc.description.abstractThis paper considers economic issues and trends in the rock and roll industry, broadly defined. The analysis focuses on concert revenues, the main source of performers’ income. Issues considered include: price measurement; concert price acceleration in the 1990s; the increased concentration of revenue among performers; reasons for the secondary ticket market; methods for ranking performers; copyright protection; and technological change.en_US
dc.relation.ispartofseriesWorking Papers (Princeton University. Industrial Relations Section) ; 499en_US
dc.subjectRockonomicsen_US
dc.subjectconcertsen_US
dc.subjectsuperstarsen_US
dc.titleRockonomics: The Economics of Popular Music,en_US
dc.typeWorking Paperen_US
pu.projectgrantnumber360-2050en_US
Appears in Collections:IRS Working Papers

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