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Please use this identifier to cite or link to this item: http://arks.princeton.edu/ark:/88435/dsp01wd375z62r
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dc.contributorNehamas, Alexander-
dc.contributor.advisorHarman, Gilbert H.-
dc.contributor.authorYan, Caresse-
dc.date.accessioned2015-06-26T19:58:41Z-
dc.date.available2015-06-26T19:58:41Z-
dc.date.created2015-03-30-
dc.date.issued2015-06-26-
dc.identifier.urihttp://arks.princeton.edu/ark:/88435/dsp01wd375z62r-
dc.description.abstractSince its initial proposal, the Institutional Definition of art has remained highly controversial within contemporary searches for a definition of art. This thesis defends the Institutional Definition from the dilemma posed against it by Richard Wollheim (1980). It argues that the Institutional Definition not only avoids both horns of Wollheim’s dilemma on both conceptual and pragmatic grounds, but further, that the definition accounts for crucial features and characteristics of art objects in both the historic and contemporary landscape.en_US
dc.format.extent41 pages*
dc.language.isoen_USen_US
dc.titleDefining Art: The Case for an Institutional Definitionen_US
dc.typePrinceton University Senior Theses-
pu.date.classyear2015en_US
pu.departmentPhilosophyen_US
pu.pdf.coverpageSeniorThesisCoverPage-
Appears in Collections:Philosophy, 1924-2020

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