Please use this identifier to cite or link to this item:
http://arks.princeton.edu/ark:/88435/dsp01rx913s73v
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.advisor | Wuthnow, Robert | - |
dc.contributor.author | Innarella, Christian | - |
dc.date.accessioned | 2019-08-15T12:35:37Z | - |
dc.date.available | 2019-08-15T12:35:37Z | - |
dc.date.created | 2019 | - |
dc.date.issued | 2019-08-15 | - |
dc.identifier.uri | http://arks.princeton.edu/ark:/88435/dsp01rx913s73v | - |
dc.description.abstract | Music is a cultural object. Lyrics have depth, as they tell stories. Hip-Hop brought a new element of culture to the music industry. While countless music artists sing about love and relationships, renowned Hip-Hop artists tend to discuss the current state of affairs in the U.S. in terms of group disparities. In this thesis, I analyze how the lyrics and personal experiences of Hip-Hop artists, XXXTentacion and Kendrick Lamar reflect social relationships and society as a whole. I also examine Hip-Hop songs as cultural objects and I place them in Griswold’s cultural diamonds to help the reader understand music as a social phenomenon. | en_US |
dc.format.mimetype | application/pdf | - |
dc.language.iso | en | en_US |
dc.title | Depths in the Cadence | en_US |
dc.type | Princeton University Senior Theses | - |
pu.date.classyear | 2019 | en_US |
pu.department | Sociology | en_US |
pu.pdf.coverpage | SeniorThesisCoverPage | - |
pu.contributor.authorid | 960955743 | - |
Appears in Collections: | Sociology, 1954-2020 |
Files in This Item:
File | Size | Format | |
---|---|---|---|
INNARELLA-CHRISTIAN-THESIS.pdf | 743.62 kB | Adobe PDF | Request a copy |
Items in Dataspace are protected by copyright, with all rights reserved, unless otherwise indicated.