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http://arks.princeton.edu/ark:/88435/dsp01rx913s73vFull metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.advisor | Wuthnow, Robert | - |
| dc.contributor.author | Innarella, Christian | - |
| dc.date.accessioned | 2019-08-15T12:35:37Z | - |
| dc.date.available | 2019-08-15T12:35:37Z | - |
| dc.date.created | 2019 | - |
| dc.date.issued | 2019-08-15 | - |
| dc.identifier.uri | http://arks.princeton.edu/ark:/88435/dsp01rx913s73v | - |
| dc.description.abstract | Music is a cultural object. Lyrics have depth, as they tell stories. Hip-Hop brought a new element of culture to the music industry. While countless music artists sing about love and relationships, renowned Hip-Hop artists tend to discuss the current state of affairs in the U.S. in terms of group disparities. In this thesis, I analyze how the lyrics and personal experiences of Hip-Hop artists, XXXTentacion and Kendrick Lamar reflect social relationships and society as a whole. I also examine Hip-Hop songs as cultural objects and I place them in Griswold’s cultural diamonds to help the reader understand music as a social phenomenon. | en_US |
| dc.format.mimetype | application/pdf | - |
| dc.language.iso | en | en_US |
| dc.title | Depths in the Cadence | en_US |
| dc.type | Princeton University Senior Theses | - |
| pu.date.classyear | 2019 | en_US |
| pu.department | Sociology | en_US |
| pu.pdf.coverpage | SeniorThesisCoverPage | - |
| pu.contributor.authorid | 960955743 | - |
| Appears in Collections: | Sociology, 1954-2020 | |
Files in This Item:
| File | Size | Format | |
|---|---|---|---|
| INNARELLA-CHRISTIAN-THESIS.pdf | 743.62 kB | Adobe PDF | Request a copy |
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