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Please use this identifier to cite or link to this item: http://arks.princeton.edu/ark:/88435/dsp01rx913s73v
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dc.contributor.advisorWuthnow, Robert-
dc.contributor.authorInnarella, Christian-
dc.date.accessioned2019-08-15T12:35:37Z-
dc.date.available2019-08-15T12:35:37Z-
dc.date.created2019-
dc.date.issued2019-08-15-
dc.identifier.urihttp://arks.princeton.edu/ark:/88435/dsp01rx913s73v-
dc.description.abstractMusic is a cultural object. Lyrics have depth, as they tell stories. Hip-Hop brought a new element of culture to the music industry. While countless music artists sing about love and relationships, renowned Hip-Hop artists tend to discuss the current state of affairs in the U.S. in terms of group disparities. In this thesis, I analyze how the lyrics and personal experiences of Hip-Hop artists, XXXTentacion and Kendrick Lamar reflect social relationships and society as a whole. I also examine Hip-Hop songs as cultural objects and I place them in Griswold’s cultural diamonds to help the reader understand music as a social phenomenon.en_US
dc.format.mimetypeapplication/pdf-
dc.language.isoenen_US
dc.titleDepths in the Cadenceen_US
dc.typePrinceton University Senior Theses-
pu.date.classyear2019en_US
pu.departmentSociologyen_US
pu.pdf.coverpageSeniorThesisCoverPage-
pu.contributor.authorid960955743-
Appears in Collections:Sociology, 1954-2020

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