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Please use this identifier to cite or link to this item: http://arks.princeton.edu/ark:/88435/dsp01rj4307389
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dc.contributor.advisorDavis, Elizabeth-
dc.contributor.authorBerry, Megan-
dc.date.accessioned2019-07-12T15:39:09Z-
dc.date.available2019-07-12T15:39:09Z-
dc.date.created2019-04-15-
dc.date.issued2019-07-12-
dc.identifier.urihttp://arks.princeton.edu/ark:/88435/dsp01rj4307389-
dc.description.abstractWhat makes theatre so fruitful and meaningful as a venue of queer representation? And why does it matter? By exploring my own experiences as a queer theatre maker working on a production of Fun Home here at Princeton, as well as speaking with artists from New York, I hope to investigate these questions, incorporating anthropological ideas of liminality and ritual, theory on the narrative formation of the self, and, of course, some traditional gender theory.en_US
dc.format.mimetypeapplication/pdf-
dc.language.isoenen_US
dc.titleStaging Queer Lives: An Ethnographic Explorationen_US
dc.typePrinceton University Senior Theses-
pu.date.classyear2019en_US
pu.departmentAnthropologyen_US
pu.pdf.coverpageSeniorThesisCoverPage-
dc.rights.accessRightsWalk-in Access. This thesis can only be viewed on computer terminals at the <a href=http://mudd.princeton.edu>Mudd Manuscript Library</a>.-
pu.contributor.authorid961154337-
pu.certificateProgram in Gender and Sexuality Studiesen_US
pu.mudd.walkinyesen_US
Appears in Collections:Anthropology, 1961-2020

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