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Issue Date	Title	Author(s)
2012	Mallarmé’s Mobile Art in the Post-Modern Dance World: An application of Mallarmé’s concept of art to selected works by William Forsythe and Trisha Brown	Lovett, Sibley
1994	Meaning through Irreconcilible Contraries: Pascal's Pensees, Dostoevsky's Notes from Underground, and Camus' La Chute	Upham, Isabel Anne
2000	Mallarme's L'Apres-midi d'un Faune; Theatrical Dynamics in the Aesthetic Evolution of a Poet	Durham, Caitlin
1994	Marguerite Duras and Elena Poniatowska's Speech on (of) Silence: Subverting Male Domination	Chavez, Virginia Lizarraga
1997	Mass Mediacracy: The Printing Press, Pirate Radio, and Power	Reades, Jonathan E.
1979	Memorias, Arenas, Heredia, Fray Servando Multiple Texts and Artistic Vision in El Mundo Alucinante	Lummis, David R.
1997	Me or You (a Mystery)	Simon, Brett E.
1988	A Palpable Design: Fictions of Strength and Weakness in the Works of Freud and Keats	Karush, Deborah
1985	Malraux's and Mann's Reception of Nietzsche	Neuger, James Gordon
2004	"Nuestro pobre individualism": Oscar Masotta and Argentina at the Crossroads, 1960-1969	Fitch, Nicholas Samuel