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http://arks.princeton.edu/ark:/88435/dsp01qj72p9855Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.advisor | Cadden, Michael | - |
| dc.contributor.author | Cox, Samuel | - |
| dc.date.accessioned | 2018-08-07T13:49:23Z | - |
| dc.date.available | 2018-08-07T13:49:23Z | - |
| dc.date.created | 2018-04-09 | - |
| dc.date.issued | 2018-08-07 | - |
| dc.identifier.uri | http://arks.princeton.edu/ark:/88435/dsp01qj72p9855 | - |
| dc.description.abstract | An exploration of the work of major artists and their use of Orpheus in their work, ending with Thomas Guthrie in his 12th &13th January 2018 performances. The first half of the paper looks at instances of generic creation or re-invention by an artist whose work centers on the figure of Orpheus. The second half is a rehearsal journal maintained by the author as he prepared to play Orpheus in 'L'Orfeo' by Monteverdi, directed by Thomas Guthrie. | en_US |
| dc.format.mimetype | application/pdf | - |
| dc.language.iso | en | en_US |
| dc.title | Orpheus Retold: A History and A Journal | en_US |
| dc.type | Princeton University Senior Theses | - |
| pu.date.classyear | 2018 | en_US |
| pu.department | English | en_US |
| pu.pdf.coverpage | SeniorThesisCoverPage | - |
| pu.contributor.authorid | 961078552 | - |
| Appears in Collections: | English, 1925-2020 | |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| COX-SAMUEL-THESIS.pdf | 2.12 MB | Adobe PDF | Request a copy |
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