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Please use this identifier to cite or link to this item: http://arks.princeton.edu/ark:/88435/dsp01p8418r15v
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dc.contributor.advisorMcCauley, Anne-
dc.contributor.authorMcVey, Mariah-
dc.date.accessioned2020-07-30T19:05:27Z-
dc.date.available2020-07-30T19:05:27Z-
dc.date.created2020-05-01-
dc.date.issued2020-07-30-
dc.identifier.urihttp://arks.princeton.edu/ark:/88435/dsp01p8418r15v-
dc.format.mimetypeapplication/pdf-
dc.language.isoenen_US
dc.titleORIGINALen_US
dc.titleORIGINALen_US
dc.titleHoyos_SeniorThesis_DavidHoyos.pdf-
dc.titleA Sculptural Affair: How the Sculptures on the Theaterama at the 1964-1965 New York World’s Fair Flourished as Public Arten_US
dc.titleORIGINALen_US
dc.typePrinceton University Senior Theses-
pu.date.classyear2020en_US
pu.departmentArt and Archaeologyen_US
pu.pdf.coverpageSeniorThesisCoverPage-
pu.contributor.authorid961250096-
pu.certificateAmerican Studies Programen_US
Appears in Collections:Art and Archaeology, 1926-2022

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