Please use this identifier to cite or link to this item:
http://arks.princeton.edu/ark:/88435/dsp01nk322g68kFull metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.advisor | Burnham, Scott | - |
| dc.contributor.author | Slosar, Louisa Jo | - |
| dc.date.accessioned | 2015-07-20T15:53:14Z | - |
| dc.date.available | 2015-07-20T15:53:14Z | - |
| dc.date.created | 2015-04-10 | - |
| dc.date.issued | 2015-07-20 | - |
| dc.identifier.uri | http://arks.princeton.edu/ark:/88435/dsp01nk322g68k | - |
| dc.format.extent | 61 pages | * |
| dc.language.iso | en_US | en_US |
| dc.title | Impersonating Mozart: An Inquiry into the Composition of Historically Informed Cadenzas for the Mozart Bassoon Concerto in Bb, K. 191 | en_US |
| dc.type | Princeton University Senior Theses | - |
| pu.date.classyear | 2015 | en_US |
| pu.department | Music | en_US |
| pu.pdf.coverpage | SeniorThesisCoverPage | - |
| Appears in Collections: | Music, 1948-2020 | |
Files in This Item:
| File | Size | Format | |
|---|---|---|---|
| PUTheses2015-Slosar_Louisa_Jo.pdf | 2.14 MB | Adobe PDF | Request a copy |
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