Please use this identifier to cite or link to this item:
http://arks.princeton.edu/ark:/88435/dsp01hx11xj07hFull metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.advisor | Okeke-Agulu, Chika | - |
| dc.contributor.author | Banes, William | - |
| dc.date.accessioned | 2019-07-15T13:46:09Z | - |
| dc.date.available | 2019-07-15T13:46:09Z | - |
| dc.date.created | 2019-04-17 | - |
| dc.date.issued | 2019-07-15 | - |
| dc.identifier.uri | http://arks.princeton.edu/ark:/88435/dsp01hx11xj07h | - |
| dc.format.mimetype | application/pdf | - |
| dc.language.iso | en | en_US |
| dc.title | “The Camera Speaks”: Aaron Siskind, The Feature Group, and the Production of the Harlem Document | en_US |
| dc.type | Princeton University Senior Theses | - |
| pu.date.classyear | 2019 | en_US |
| pu.department | Art and Archaeology | en_US |
| pu.pdf.coverpage | SeniorThesisCoverPage | - |
| pu.contributor.authorid | 961185203 | - |
| Appears in Collections: | Art and Archaeology, 1926-2022 | |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| BANES-WILLIAM-THESIS.pdf | 13.13 MB | Adobe PDF | Request a copy |
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