Please use this identifier to cite or link to this item:
http://arks.princeton.edu/ark:/88435/dsp01gx41mm67g
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.advisor | Alsdorf, Bridget | - |
dc.contributor.author | Reynders, Charlotte | - |
dc.date.accessioned | 2019-07-15T14:24:21Z | - |
dc.date.available | 2019-07-15T14:24:21Z | - |
dc.date.created | 2019-04-17 | - |
dc.date.issued | 2019-07-15 | - |
dc.identifier.uri | http://arks.princeton.edu/ark:/88435/dsp01gx41mm67g | - |
dc.format.mimetype | application/pdf | - |
dc.language.iso | en | en_US |
dc.title | Re-Visions of Violence: Taboo and Transformation in the Paintings of Contemporary French-Algerian Artist Dalila Dalléas Bouzar | en_US |
dc.type | Princeton University Senior Theses | - |
pu.date.classyear | 2019 | en_US |
pu.department | Art and Archaeology | en_US |
pu.pdf.coverpage | SeniorThesisCoverPage | - |
pu.contributor.authorid | 961094757 | - |
pu.certificate | Humanities Council and Humanistic Studies Program | en_US |
Appears in Collections: | Art and Archaeology, 1926-2022 |
Files in This Item:
File | Description | Size | Format | |
---|---|---|---|---|
REYNDERS-CHARLOTTE-THESIS.pdf | 1.99 MB | Adobe PDF | Request a copy |
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