Please use this identifier to cite or link to this item:
http://arks.princeton.edu/ark:/88435/dsp01c821gj96kFull metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.advisor | Rentzou, Efthymia | - |
| dc.contributor.advisor | Trezise, Thomas | - |
| dc.contributor.author | Ozaki, Ryohei | - |
| dc.date.accessioned | 2014-07-16T13:47:58Z | - |
| dc.date.available | 2014-07-16T13:47:58Z | - |
| dc.date.created | 2014-04-23 | - |
| dc.date.issued | 2014-07-16 | - |
| dc.identifier.uri | http://arks.princeton.edu/ark:/88435/dsp01c821gj96k | - |
| dc.format.extent | 72 pages | * |
| dc.language.iso | fr | en_US |
| dc.title | LE CINÉMA ET L’ÉMANCIPATION Chris Marker et le groupe Medvedkine 1967 – 1969 | en_US |
| dc.type | Princeton University Senior Theses | - |
| pu.date.classyear | 2014 | en_US |
| pu.department | French and Italian | en_US |
| pu.pdf.coverpage | SeniorThesisCoverPage | - |
| Appears in Collections: | French and Italian, 2002-2020 | |
Files in This Item:
| File | Size | Format | |
|---|---|---|---|
| ozaki_ryohei.pdf | 13.5 MB | Adobe PDF | Request a copy |
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