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Please use this identifier to cite or link to this item: http://arks.princeton.edu/ark:/88435/dsp01c247ds19z
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dc.contributor.advisorEspenshade, Thomas J.-
dc.contributor.authorGroves, Gregory-
dc.date.accessioned2013-07-18T13:00:49Z-
dc.date.available2013-07-18T13:00:49Z-
dc.date.created2013-04-12-
dc.date.issued2013-07-18-
dc.identifier.urihttp://arks.princeton.edu/ark:/88435/dsp01c247ds19z-
dc.description.abstractThis thesis builds upon the work of Kubrin’s (2005) content analysis of hip-hop. Exploring Cornel West’s theory of black nihilism, Kubrin coded platinum rap albums released between 1992-2000 in order to quantitatively examine the genre’s prevalence of nihilism, along with the additional themes of violence, materialism, and misogyny. Interested in whether the past decade has experienced both a shift within the thematic landscape of hip-hop and the social landscape of black America, I replicate Kubrin’s coding scheme and analyze platinum rap albums released between 2002-2012. My results show a statistically significant shift in both the decreased references to nihilism and the increased references to materialism. I therefore dedicate a significant portion of my thesis interpreting the sociological implications within my findings.en_US
dc.format.extent99 pagesen_US
dc.language.isoen_USen_US
dc.titleFrom Cornel West To Kanye West: Exploring Black Nihilism and Hip-Hopen_US
dc.typePrinceton University Senior Theses-
pu.date.classyear2013en_US
pu.departmentSociologyen_US
pu.pdf.coverpageSeniorThesisCoverPage-
dc.rights.accessRightsWalk-in Access. This thesis can only be viewed on computer terminals at the <a href=http://mudd.princeton.edu>Mudd Manuscript Library</a>.-
pu.mudd.walkinyes-
Appears in Collections:Sociology, 1954-2020

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