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Please use this identifier to cite or link to this item: http://arks.princeton.edu/ark:/88435/dsp01bc386n042
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dc.contributor.advisorRouse, Carolyn-
dc.contributor.advisorDeGannes, Nehassaiu-
dc.contributor.authorSoetan, Feyisola-
dc.date.accessioned2019-07-12T20:24:13Z-
dc.date.available2019-07-12T20:24:13Z-
dc.date.created2019-04-15-
dc.date.issued2019-07-12-
dc.identifier.urihttp://arks.princeton.edu/ark:/88435/dsp01bc386n042-
dc.description.abstractBoth anthropology and theater are modes of storytelling. I wrote a play based on anthropological research, in the form of a choreopoem. A choreopoem is a black art form coined by Ntozake Shange that involves performance of poetry, dance, music, and song. Using ethnographic research methods, particularly participant observation, I explored socio-political theories concerning black womanhood in weekly play-devising workshops with a diverse cast of nine people. Our workshops were meant to engage with the experiences of black female students at Princeton, offering a spectrum of stories and perspectives. The choreopoem was named A Spectrum Unspoken by my co-devisors and I in order to highlight the array of voices in the cast as well as the newness of the language. The play would cover controversial topics in a personal manner, things that usually remained unspoken. It was staged in the Wallace Theater at the Lewis Center for the Arts in March 2019.en_US
dc.format.mimetypeapplication/pdf-
dc.language.isoenen_US
dc.titlePrinceton Stories: Political Activism Through Ethnographic Theateren_US
dc.typePrinceton University Senior Theses-
pu.date.classyear2019en_US
pu.departmentAnthropologyen_US
pu.pdf.coverpageSeniorThesisCoverPage-
pu.contributor.authorid961099232-
pu.certificateTheater Programen_US
Appears in Collections:Anthropology, 1961-2020
Theater, 1940-2016

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