Please use this identifier to cite or link to this item:
http://arks.princeton.edu/ark:/88435/dsp01b8515r09j
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.advisor | Giammei, Alessandro | - |
dc.contributor.advisor | Rentzou, Efthymia | - |
dc.contributor.author | Stafford, Caroline | - |
dc.date.accessioned | 2018-07-30T14:13:07Z | - |
dc.date.available | 2018-07-30T14:13:07Z | - |
dc.date.created | 2018-04-13 | - |
dc.date.issued | 2018-7-30 | - |
dc.identifier.uri | http://arks.princeton.edu/ark:/88435/dsp01b8515r09j | - |
dc.format.mimetype | application/pdf | - |
dc.language.iso | en | en_US |
dc.title | THE THREAT OF “WHAT IS NOT”: A Feminist, Deconstructivist Analysis of “Otherness” in the Theatrical Works of Eugène Ionesco and Edoardo Sanguineti | en_US |
dc.type | Princeton University Senior Theses | - |
pu.date.classyear | 2018 | en_US |
pu.department | Comparative Literature | en_US |
pu.pdf.coverpage | SeniorThesisCoverPage | - |
pu.contributor.authorid | 960956713 | - |
Appears in Collections: | Comparative Literature, 1975-2019 |
Files in This Item:
File | Description | Size | Format | |
---|---|---|---|---|
STAFFORD-CAROLINE-THESIS.pdf | 5.96 MB | Adobe PDF | Request a copy |
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