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dc.contributor.advisorTymoczko, Dmitrien_US
dc.contributor.authorMcClowry, Sean G.en_US
dc.contributor.otherMusic Departmenten_US
dc.date.accessioned2012-03-29T18:04:57Z-
dc.date.available2012-03-29T18:04:57Z-
dc.date.issued2012en_US
dc.identifier.urihttp://arks.princeton.edu/ark:/88435/dsp018s45q880q-
dc.description.abstractReligious faith has inspired the creation of music throughout history. A number of composers have reported that a religious conversion has had a profound impact upon their creative work. Franz Liszt, Arvo Part, and John Coltrane are examples of composers who have experienced a conversion mid-career where their music changed as a result. Though it is common for composers who have gone through a conversion to begin to write religious music in post-conversion periods, there are often striking differences between traditional sacred music and music composed by religious converts. My dissertation studies how religious conversions can provide a unique perspective for the creation of music due to the new and meaningful circumstances in the personal and spiritual lives of composers who are impacted. Through score analysis, particularly comparing works that are before and after conversion, we can see how religious experience takes effect on the creative work of a composer.en_US
dc.language.isoenen_US
dc.publisherPrinceton, NJ : Princeton Universityen_US
dc.relation.isformatofThe Mudd Manuscript Library retains one bound copy of each dissertation. Search for these copies in the <a href=http://catalog.princeton.edu> library's main catalog </a>en_US
dc.subjectColtraneen_US
dc.subjectCompositionen_US
dc.subjectConversionen_US
dc.subjectLiszten_US
dc.subjectPärten_US
dc.subject.classificationMusicen_US
dc.subject.classificationReligionen_US
dc.titleThe Song of the Convert: Religious Conversion and its Impact on the Music of Franz Liszt, Arvo Pärt, and John Coltraneen_US
dc.typeAcademic dissertations (Ph.D.)en_US
pu.projectgrantnumber690-2143en_US
Appears in Collections:Music

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