Please use this identifier to cite or link to this item:
http://arks.princeton.edu/ark:/88435/dsp013n2041913
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.advisor | Yerkes, Carolyn | - |
dc.contributor.author | Yuste-Golob, Rebecca | - |
dc.date.accessioned | 2019-07-15T14:40:29Z | - |
dc.date.available | 2021-10-27T18:35:25Z | - |
dc.date.created | 2019-04-17 | - |
dc.date.issued | 2019-07-15 | - |
dc.identifier.uri | http://arks.princeton.edu/ark:/88435/dsp013n2041913 | - |
dc.description.abstract | In this thesis, examines four architectural exhibitions in 1980s Paris: Architectures en France: Modernité, post-modernité (1981), La modernité ou l’esprit du temps (1982), La modernité, un projet inachevé (1982) and Les Immateriaux (1985). It investigates the effects of postmodernism, and how the modern/postmodern debates played out in the sphere of the architectural exhibition. It is organized into three case studies, which each examine a facet of the exhibition: history, self-fashioning, and media. | en_US |
dc.format.mimetype | application/pdf | - |
dc.language.iso | en | en_US |
dc.title | Are We Postmodern?: The Architectural Exhibition in Late Twentieth-Century France | en_US |
dc.type | Princeton University Senior Theses | - |
pu.embargo.terms | 2021-01-20 | - |
pu.date.classyear | 2019 | en_US |
pu.department | Art and Archaeology | en_US |
pu.pdf.coverpage | SeniorThesisCoverPage | - |
pu.contributor.authorid | 961188928 | - |
pu.certificate | European Cultural Studies Program | en_US |
Appears in Collections: | Art and Archaeology, 1926-2022 |
Files in This Item:
File | Description | Size | Format | |
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YUSTE-GOLOB-REBECCA-THESIS.pdf | 39.38 MB | Adobe PDF | Request a copy |
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