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Please use this identifier to cite or link to this item: http://arks.princeton.edu/ark:/88435/dsp013n2041913
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dc.contributor.advisorYerkes, Carolyn-
dc.contributor.authorYuste-Golob, Rebecca-
dc.date.accessioned2019-07-15T14:40:29Z-
dc.date.available2021-10-27T18:35:25Z-
dc.date.created2019-04-17-
dc.date.issued2019-07-15-
dc.identifier.urihttp://arks.princeton.edu/ark:/88435/dsp013n2041913-
dc.description.abstractIn this thesis, examines four architectural exhibitions in 1980s Paris: Architectures en France: Modernité, post-modernité (1981), La modernité ou l’esprit du temps (1982), La modernité, un projet inachevé (1982) and Les Immateriaux (1985). It investigates the effects of postmodernism, and how the modern/postmodern debates played out in the sphere of the architectural exhibition. It is organized into three case studies, which each examine a facet of the exhibition: history, self-fashioning, and media.en_US
dc.format.mimetypeapplication/pdf-
dc.language.isoenen_US
dc.titleAre We Postmodern?: The Architectural Exhibition in Late Twentieth-Century Franceen_US
dc.typePrinceton University Senior Theses-
pu.embargo.terms2021-01-20-
pu.date.classyear2019en_US
pu.departmentArt and Archaeologyen_US
pu.pdf.coverpageSeniorThesisCoverPage-
pu.contributor.authorid961188928-
pu.certificateEuropean Cultural Studies Programen_US
Appears in Collections:Art and Archaeology, 1926-2022

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