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Please use this identifier to cite or link to this item: http://arks.princeton.edu/ark:/88435/dsp0102870z803
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dc.contributor.advisorStuart, Susan-
dc.contributor.advisorStuart, Susan-
dc.contributor.advisorStuart, Susan-
dc.contributor.advisorKotin, Joshua-
dc.contributor.authorPaternostro, Alexander-
dc.date.accessioned2020-07-15T17:25:06Z-
dc.date.available2020-07-15T17:25:06Z-
dc.date.created2020-05-12-
dc.date.issued2020-07-15-
dc.identifier.urihttp://arks.princeton.edu/ark:/88435/dsp0102870z803-
dc.description.abstractBroom was born of death, and continuously emerging as a concern of the magazine, death pervades Broom. Its presence speaks to a larger understanding of the magazine’s aesthetic positioning. Rather than simply unveiling a theme, I reveal how the concept of death does not just appear as subject matter, rather it undergirds the magazine’s search for a suitable art in the aftermath of World War I.-
dc.format.mimetypeapplication/pdf-
dc.language.isoen-
dc.titleLICENSE-
dc.titleDeath in Broom (1921-1924): Suicide and the Escape of Art after the Great War-
dc.titleDSPACESTRGPHIVLEMBA.pdf.txt-
dc.titleLICENSE-
dc.titleLICENSE-
dc.typePrinceton University Senior Theses-
pu.date.classyear2020-
pu.departmentEnglish-
pu.pdf.coverpageSeniorThesisCoverPage-
pu.contributor.authorid920059201-
Appears in Collections:English, 1925-2020

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